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MAY 2004
.The Lilas : Out of the Sky, Into the Sea (Free Union
Records).
A debut album for non-beginner musicians (Megiddo/From the Blue
House) delivering 3 tracks and an acoustic version, with strings
and accordion, of the eponymous song. The whole work gave me a Rainbirds/Walkabouts
feelings. A fine, clean e.p., with delightful husky screams here
and there.
.Catnip : Pink & Blue & Green (Feral Media).
Sliding along steel guitars on Hope Sandoval-like vocals, except
for "Lullaby" that sounds more like Lisa Germano. Layers
of discreet electronic effects add up to the serenity of the whole.
This artist is an atmosphere designer. Imagine Alice falling into
a rabbit hole to meet a gentle queen, asleep in a bed of Summer
flowers in bloom.
.The Butchies : make your Life (Yeproc records).
Another brand new release, and the fourth (see the previous
ones on MrLady rec) for the pønkrawking gurrrls with a big
heart. I listened to it over and over, printed out all the lyrics
to Make Your Life and went to work at the library. I was going to
do some translation work with a student -probably not very interesting
info to you and completely irrelevant here, but I was just trying
to have some kind of defined context. Anyway, the student was late
and I had this review to finish, so I started to read the lyrics
more carefully. Of course, I ended up singing along. Well whispering
along would be more accurate, I was at the library after all....
To polish my context, I should start with a little introduction
of the band, maybe. I always wondered why the Butchies were not
more popular, since they play this good power pop, tight, loaded
with good vibes... but again, music without the business part would
be probably more fair, so here we go: Kaia (guitar/vocals), acoustic
singer/song writer+ a punk rocker, ex Adickdid, Team Dresch... Melissa
(drum goddess), ex-Manacled, Sugarshock, Born Against, Vitapup,
Team Dresch... she played for Tami Hart and Amy Ray. Alison (bass),
in charge of the charming bouncing bass lines. The record opens
on "Send Me You," a straight (not as in "not queer",
mind you) pop track with a super catchy chorus and verses that give
you the feeling you have in your belly when the swing is going back
to a forward movement. The second you are beyond gravity. The guitars
are responding to the vocals in a gradually intense way. As the
latter toughen, the former become more electrically raw. Alternating
between leading and backing vocals, Kaia's leaves you breathless,
and yes, the girls leave you with a big itch, swimming in dizziness,
falling in love and staying there. "She's so Lovely" but
I never thought I could enjoy hearing "please, please, please
me" again, especially with a drum machine opening ;). There
is nothing you can do about it: the more you listen to that song,
the more turned on you get. It's fresh, it's energetic. Your soul
blooms into Spring, reminding you that you are responsible for your
happiness ("Make Yr Life"). A simple message, but important
to bear in mind... Other tracks are worth noticing, such as the
darker, heavier "Trouble" or the heartbreaking romantic
candlelight of "Everything and Everywhere." In all this
fine pop rock atmosphere, I must say my favourite track (and best
Butchies track EVER, in my opinion) is 17. I first heard it on KRS'
compilation Fields and Streams, and it was love at first hearing.
Besides the great attractive powers of the song, all drummers will
be drooling at the sound of Melissa's tornado play (don't say you
were not warned now!). 17 and you're back in the Breakfast
Club. That when I realized I didn't want to be WITH the wild boy,
that I wanted to BE the wild boy. That's when things started to
go openly... queer. This is when I realized, by the angry looks,
that I had been singing out loud in the library, but that is another
story. "Lydia" 's part is still a mystery to me, maybe
you can enlighten me, it's fast and angry, with puzzling lyrics...
who the fuck is Lydia? Send us your interpretation, and of course
just 'cause you're right doesn't mean I'm wrong. This album is full
of life and heartbeats, full of Spring.
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