babes in boyland on the air
babes in boyland presents
.Amtrak : 4 tracks 7 inch (Narshardaa records).
Another one of these perfect bands from outerspace (well, geographically speaking, they are based in Germany) pressing their genius on vinyl and throwing a gig in front of you as soon as the needle hit the black groves. A complex, peculiar mixture of post-punk bass, frenetic keys and amazing vocals (reminding me a bit of Pretty Girls Make Graves' Andrea Zollo way of singing, from time to time) will not let your ear escape for the length of the a side. From the weird sirens sounds of WŸsten, howling throughout the song before turning into melodic waves -Stops, storms, battles at sea- to the loos, suddenly tighing keyboard of unbehagen. Explosions. Holding back, charging. They vanish in a snatch, letting you empty and starving from more. B side.Tetris is the best track I have heard in years,I wa taken by surprise, bouncing against walls. Univerell is building up from a calm stream to a raging sea, keyboards worryingly weird. These are tidal songs of artful invention. Beware: it is explosive!
amtrak@antipolis.org

.The Sirens The Sirens (Get Hip).
Rawknrall at its loudest, heaviest, L7 style (a bit cleaner... not sure if it is positive, or not, though) on tracks like (I didn't know I loved you til I saw you (rock'n'roll) , 60's garage at its most distorted time with the rude girls... They do not sound polite, nor proper (this time you surely know how to take that comment) and the vocals as sexy as the sexiest soul ("Imagination"). BUT, here is what I read on their website: "ØLed by diva Muffy Kroha, who towers above the fans in sassy 18 inch boots, the Sirens present a brand of feminism that keeps the toughest of blokes begging for more"...No comment.
gethip records


.Exit Iris
: This Machine Kills Fashion (self-release).
"I see Red" is a hit for any indie-pop-rock lovers. It is catchy, clear, direct, political :"come on, can't you see we need a revolution..../we need a riot/ I see red"... just in case you missed the title of the record and the title of this track) and opening this exquisite 3 tracks maxi-single. All this is good news, since now Exit Iris have your attention, you'll listen to the record, not just hear it. "This Machine"is built around infinite riffs and repetitive lyrics that do make you feel the weight of the machine, slowly chewing you up. And yes, this happens everyday, we're just numb... The last and third track is my favorite, though, with its dark, desperate opening Joy Division like guitar going circles in low skies. The songs alternates between calm, sad instants and faster, louder ones to end in a guitar crying over a heart-beat bass drums (and whispers too, pay close attention...). "My Reality is Different than Yours" refer to too familiar a feeling to be so different....

 

.Pollyana : Cow-Boys e.p.
An exquisite record of acousticism, a beautiful master piece of minimalism (I am sure Young Marble Giant sound like this when there was a black out). The singer might be talking about cow-boys, but her name could be Kaia, Gata Negra, Chan Marshall... or Calamity Jane (yes, the band And the wild west heroin). Salty eye drops sliding down the guitar neck or in the throat of a cello, without being whinny, ever. Track after track, you will be charmed by the intimacy, the fragile power of this e.p. An LP will be released in September on Eglantine record, so keep your eyes and ears open for more.

 

.Call Me Loretta : Crosswind (Dead Bees).
Do you miss indie music? Well, stop complaining, you found your record....Call me Loretta is not Kim Gordon's little sis, but four alchemists of the finest melancolic noiseyemopop. The record is charged with tensions, angst and anger alterning instants of raw rage and distant, monocord vocals. A "no heat, white light" album is the best Intrepol-Sonic Youth-Purr tradition... with some drops of Ikara Colt here and there. "Evaluation Copy" should be on every independent radio station's playlist (well, they ARE the only ones really concerned about playing GOOD music) , "High As a Holed Kite", "Things I hate #4", "Liar, Liar,Liar, Tongue's on Fire" and "I'm Trying Hard to listen" (an instrumental, of course...) are only a few examples of these enthralling tales of isolation, alienation, passion and longing for innocence lost... fondu au noir, enjoy!
http://harmacy.free.fr/


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